This set belongs to my most personal, serious and ambitious project so far. I try to give dignity and humanity to the plastic people around the world. As a street and travel photographer, I have had the chance to take photos of shop windows in many cities, and there I have found the inspiration for these images. They tell me tales and stories about life. They always show me their human substance. Every photo creates a fantasy. Their faces, looks, eyes, clothes, shadows, and reflections portray them as the modern society.
In this selection, we find these beautiful women surrounded by reflections of their cities. Reflections always help me to make complex photographs. I’m not afraid of complexity. I like getting richness. I don’t try to follow conventional compositions. I just keep loyal to my eye. If I need to break rules to show an image, I just do it. I feel my plastic people are free. There is even some chaos in the worlds I portray.
These ladies seem all to be feeling different emotions or sensations, such as confidence, arrogance, sadness, dreaming stare or challenging poses. Viewers can realize there is a human touch inside them. My intention is the humanization of mannequins found in shops. I feel the need to make them talk to the world. They all have a message to say. My visions are just the way they have to speak, working as a channel.
There is also a cultural aspect in them. They sort of represent the people from the country they were taken. Their mood, clothes, body awareness issues or make up show the traditions, beliefs and even values from the places. I would like to end this short essay about them, stating the universal human quality of this project, because as I said before, they have become portraits of our modern society. There is an analogy with the human nature.
About the artist...
Seigar is an English philologist, a high school teacher, and a curious photographer. He is a fetishist for reflections, saturated colors, details and religious icons. He feels passion for pop culture that shows in his series. He considers himself a travel and an urban street photographer. His aim as an artist is to tell tales with his camera, to capture moments but trying to give them a new frame and perspective. Traveling is his inspiration. However, he tries to show more than mere postcards from his visits, creating a continuous conceptual line story from his trips. The details and subject matters come to his camera once and once again, almost becoming an obsession. His three most ambitious projects so far are his “Plastic People", a study on anthropology and sociology that focuses on the humanization of the mannequins he finds in the shop windows all over the world, "Response to Ceal Floyer for the Summer Exhibition" a conceptual work that understands art as a form of communication, and his "Tales of a city", an ongoing photo-narrative project taken in London. He usually covers public events with his camera showing his interest for social documentary photography. He has participated in several exhibitions, and his works have also been featured in international publications. He writes for The Cultural Magazine (Spain) about photography and for Memoir Mixtapes about music (L.A.).